HOW TO CONFLICT THE MONOCHROME REGIME?
One of the advantages of digital photography is the ease of converting images to black and white. Now a black and white image is available in the same way as…

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STANLEY GREEN - MILITARY PHOTOGRAPH, AUTHOR OF "BLACK PASSPORT" AND NOT ONLY
There is no person in the midst of professional photographers and amateurs who would not know the name Stanley Green. He is a talented photo reporter who resisted injustice all…

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SATURATION AND VIBRANCE - WHAT IS THE DIFFERENCE?
The well-known Saturation and Vibrance sliders in post-processing programs are used by photographers of all genres. But do you know the difference between them and the effect that can be…

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INEXPENSIVE ASHER FELLIG'S CONTRIBUTION TO ART OF PHOTO, OR SCANDAL VIDGE
Asher Fellig was born at the turn of the XIX and XX centuries in the town of Zolochiv, which at that time belonged to the Austro-Hungarian Empire. After 11 years,…

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THIS SHOULD KNOW EVERYONE: HOW TO REMOVE WITH A REFLECTOR

Natural light is very often the best light to make a great photo. But he does not always have the right direction and intensity. However, there is a simple way to solve these problems – reach for the reflector and direct the light as you need.

You can take almost any surface that can reflect light, and use it as a reflector. For example, in the studio very often there are traditional reflectors from polystyrene sheets – they are cheap and light, and in addition, they can be covered in different colors to give different effects.

Compact reflectors are an alternative option. Such reflectors are a textile fabric, stretched on a metal frame, which can be conveniently packaged in light packaging. Reflectors “5 in 1” – the most common option. With them at your disposal there are five different surfaces at once. Light-disk is most often used when shooting portraits, in macro photos and in product photography.

Most often such reflectors have 5 canvases of primary colors: white, black, metallic silver, metallic gold and translucent. The diffusion surface is the fifth part of the 5-in-1 system. Instead of acting as a reflector, it works as a diffuser for light passing through it.

Examples of photos are given below. They were all shot against the light. See what the difference is when using reflectors of a particular color when shooting.

White. The surface does not change the color or nature of the light that reflects. The light is pleasantly diffused and very natural. White surfaces are often used to brighten shadows caused by strong sunlight. They also play the same role in the studio when you use one of the more severe types of lighting.

Silver. Reflected light is relatively cold and strong. It models objects more, does not look natural, and is more visible in the photo. Use it when the light that the white reflector gives is not intense enough.

Golden. Similar to silver reflectors, they emit a fairly intense light, but also add a warm shade, reminiscent of the light from the sunset, and therefore allow you to simulate evening lighting in the daytime. This makes them especially useful for taking portrait photos.

The black. Unlike other surfaces, black absorbs light, but does not reflect it. This way you can use black canvas for opposite purposes. Instead of lightening the shadows, you can reverse them. Such a surface is useful when there is a lot of natural light, but it is so diffused that it does not sufficiently decorate your object. Adding shadows is known to give photos greater depth.

HOW TO PHOTOGRAPHIC FIRE, OR FLAME, AS AN OBJECT, ACCENT AND SOURCE OF LIGHT
Fire is an interesting thing. We have a very deep and instinctive relationship with him, so it is not surprising that adding a flame to a photo can have quite…

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STEPHEN MAISEL IN FASHION PHOTOS, AND IT'S IN IT
Steven Meisel, one of the most famous commercial photographers of our time, was born on June 5, 1954 in New York. Already since childhood, his originality has become noticeable close.…

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