SERGEY MAXIMISHIN: "A PHOTOGRAPH SHOULD BE A NARRATOR"
Sergey Maksimishin (Sergey Maximishin) - a talented photojournalist. His works are recognizable not only in narrow circles of lovers of photo art. They sell well at trade shows and attract…

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HOW TO PHOTOGRAPHIC FIRE, OR FLAME, AS AN OBJECT, ACCENT AND SOURCE OF LIGHT
Fire is an interesting thing. We have a very deep and instinctive relationship with him, so it is not surprising that adding a flame to a photo can have quite…

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CHRISTOPHER PILLITZ - ATTENTIVE PHOTORPORTER AND MASTER OF THE STAY PHOTO
Argentine Christopher Pillitz (Christopher Pillitz) is considered one of the best documentary photographers and publicists of our time. He was born in 1958 in the capital of Argentina, Buenos Aires.…

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10 TIPS FOR TELEPHONE
One of the most interesting aspects of photography is working with telephoto and super telephoto lenses. Telephoto lenses and super telephoto lenses allow photographers to explore the diversity of surrounding…

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since the 40s

DO YOU NEED A PROFESSIONAL CAMERA TO BECOME A PHOTOGRAPHER?

Have you ever heard that someone said: “My photos would be much better if I had the same camera as you or this photographer”? Perhaps even you yourself said something similar. But is there any truth in this phrase? Or do people just wishful thinking and thus show their ignorance? Continue reading

PRIORITY OF THE EXTRACT AND PRIORITY OF THE DIAPHRAGM: HOW TO LEARN THEIR USE OF THEIR RIGHT

Semi-automatic priority modes shutter speed and aperture you will find in each DSLR. They allow the photographer to manually set the ISO and shutter speed, or the ISO and aperture size, and then the camera will automatically calculate the missing part of the exposure setting. Consider which mode and when to use, how to work with them, and in what cases you should still choose a manual shooting mode. Continue reading

PASSION, ROMANCE AND ACUTE DESIRE, OR WHAT YOU DON'T KNOW ABOUT THE PHOTOGRAPHY OF THE KISSING PEOPLE
A selection of photos showing couples kissing and how people felt differently in front of the camera. The end of the late Victorian era. All images from the collection of…

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RULES OF COMPOSITION FOR NATURALS
The so-called rules of composition are not so much mandatory requirements as guiding principles. Why? Because not every compositional tool works for any image. Art is subjective, and what is…

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