VADIM HIPPENREATER - PHOTO EET AND FOUNDATION OF THE RUSSIAN SCENERY OF PHOTO ART
The famous Soviet and Russian photographer Vadim Gippenreiter was an extraordinary and multifaceted personality. The talent for photography and the ability to create beautiful pictures were combined with his exceptional…

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CHRISTOPHER PILLITZ - ATTENTIVE PHOTORPORTER AND MASTER OF THE STAY PHOTO
Argentine Christopher Pillitz (Christopher Pillitz) is considered one of the best documentary photographers and publicists of our time. He was born in 1958 in the capital of Argentina, Buenos Aires.…

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HOW TO PHOTOGRAPHIC FIRE, OR FLAME, AS AN OBJECT, ACCENT AND SOURCE OF LIGHT
Fire is an interesting thing. We have a very deep and instinctive relationship with him, so it is not surprising that adding a flame to a photo can have quite…

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PHOTOGRAPHY OF DANCE - NUANS OF SHOOTING, SECRETS OF SUCCESS, GRINDING OF MASTERY
Dance photography is an expression of the beauty of movement and emotion. Dance can be a source of excellent frames, but it’s not a secret to anyone that taking photographs…

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monochrome photograph for many

HOW TO CONFLICT THE MONOCHROME REGIME?

One of the advantages of digital photography is the ease of converting images to black and white. Now a black and white image is available in the same way as switching to camera monochrome mode. Some people still prefer chemical processes, but for the rest of us, this means that there is no longer a need for dark rooms and red lanterns, and there is no need to waste time in order to process the film and print pictures. Continue reading

RULES OF COMPOSITION FOR NATURALS
The so-called rules of composition are not so much mandatory requirements as guiding principles. Why? Because not every compositional tool works for any image. Art is subjective, and what is…

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SATURATION AND VIBRANCE - WHAT IS THE DIFFERENCE?
The well-known Saturation and Vibrance sliders in post-processing programs are used by photographers of all genres. But do you know the difference between them and the effect that can be…

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