10 TIPS FOR TELEPHONE
One of the most interesting aspects of photography is working with telephoto and super telephoto lenses. Telephoto lenses and super telephoto lenses allow photographers to explore the diversity of surrounding…

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IMPROVEMENT OF COMPOSITION DUE TO THE TONE CONTRAST
Now a lot of discussions about composition tend to concentrate on such bases, usually third, leading lines, the use of color, etc. But not many people remember the tonal contrast.…

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WHY YOU MUST HAVE A POLARIZER AND WHEN YOU MUST NOT USE IT.
Ever wondered how professional photographers achieve such a rich, bright color and such a magical atmosphere in their images? BAMC! They use a polarizing filter or simply a polarik! Photography…

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SERGEY MAXIMISHIN: "A PHOTOGRAPH SHOULD BE A NARRATOR"
Sergey Maksimishin (Sergey Maximishin) - a talented photojournalist. His works are recognizable not only in narrow circles of lovers of photo art. They sell well at trade shows and attract…

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ERNST HAAS – “FATHER” COLOR PHOTO

Ernst Haas (Ernst Haas), one of the greatest masters of photography of the XX century, was born March 2, 1921 in Vienna. His creative potential manifested itself quite early. In his youth, Ernst was fond of painting. His mother, being a great connoisseur of art, influenced the formation of a good taste in a young man. It is her opinion and assessment that will be important to the photographer throughout her life. Continue reading

9 MISTAKES IN WORKING WITH THE STAND WHICH MAY REMOVE YOUR PICTURES AND REDUCE THE RISK TO THE CAMERA

9 errors when using a tripod

First push the small sections of the leg of the tripod.
Tighten handles and leg clamps.
Raise the central column.
Incorrectly or too loosely attach the tripod head to the legs.
Place the tripod legs on an uneven surface incorrectly.
Place the camera in the tripod platform incorrectly. Continue reading

HOW TO MAKE A QUALITY PHOTO FROM THE VIDEO

The moving images that we see when watching videos and movies are actually just an optical illusion of the human brain. At a speed of about 30 frames per second, the movement caused by this stream of still images becomes indistinguishable from the perceived movement of actually moving objects. That is why photography and cinematography have always been connected. Continue reading

RULES OF COMPOSITION FOR NATURALS
The so-called rules of composition are not so much mandatory requirements as guiding principles. Why? Because not every compositional tool works for any image. Art is subjective, and what is…

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WHAT PHOTOGRAPHE CAN LEARN FAMOUS PAINTINGS?
Painting and photography may seem like two completely different worlds, but for many they are connected and complementary. Artists often use photographs as an aid in creating unique works of…

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